Showing posts with label face mask. Show all posts
Showing posts with label face mask. Show all posts

135

Walking the back route down narrow streets to Ōji Station, I pass the house with the orange tree where I once heard somebody playing guitar. I stop and listen for the sounds of any strumming or the sounds of someone thinking about strumming, but there is nothing except silence and the smell of January cold. Then, a vending machine next to me suddenly glows and whirs to life, providing me with a ghostly consolation prize in the possibility of hot beverages. A quick nod of acknowledgment to the machine for its attempt to communicate across the gulf that separates inanimate and animate matter, and I am off towards the park with the miniature fence with a touch keypad lock.

Waiting for me at the entrance to the park, just past the tangle of telephone wires, is a small convention of people with compact dogs wearing winter clothing. One of the dogs—appearing like four uneasy sticks attached to a small sweater—looks about 18% gray and beautifully matches the sky. If I picked up the dog and hurled it into the air, it would abruptly vanish, only to remind us of its presence by the snapping sound of its landing. Across the park heading east, I consider leaping over the fence as I near it, but I speculate about what I will feel once I am on the other side. I might not want to return to where I jumped from or be unable to. It seems that it would be reasonably easy to hop over, but this might be an illusion, some diabolical method of falsely inflating intruder confidence, then snaring them mid-vault. The fact of its impossible smallness only serves to heighten the unknown threat of how it operates. What this fence lacks in height, it more than makes up through fiendishly confusing psychology. I pause for a moment and consider that the rate at which my body ages and shrinks is not so fast to keep me from a potential crossing on my way home from the café. I acknowledge the holding pattern, and I am off.

First, I run over to see that the golfers are busy golfing—and they are—but I am disappointed that the skateboarders are not skateboarding. Wouldn't it be nice if I could hear the bark of their skateboard trucks across concrete curbs and pedestrian handrails in the parking lot? Nevertheless, it is empty, and even if they had only recently departed, it is now impossible to see even the faintest trace of their breath in the air. I hear the sharp claps of clubs hitting balls and the dull thuds of balls hitting nets, but no wheels intermittently crackling and gliding across the tarmac. I circle the parking lot in a holding pattern of my exhalation until an unexpected squawk from a crow atop a garbage can, followed by a quick ding-ding from the nearby Toden Arakawa Line, punctuates the late afternoon and signals that it is time for a warm coffee.

Once inside the nearby café, I am struck, as usual, by the complete lack of separation between the smoking and non-smoking sections. The curls of smoke drift above the masked customers and the waning plants in the center of the circular smoking table, forming sheets of gray cloud cover. I slowly lift my 18% gray card into the haze above our heads, and it promptly vanishes. However, when I lower my arm again, it materializes, and I make a snapping sound accompanied by a whine that catches the attention of the schoolgirl 72% napping at the table next to mine

23

During the day I can see that the building next to me is an innocuous hospital of some sort. I see hospital beds, people in hospital beds, people shuffling around the hospital beds in hospital gowns, and hospital nurses wearing surgical face masks. At nighttime a transformation takes place and I am staying in Takinogawa, in Tokyo, in Japan, yet I am next to Dario Argento's Tanzakademie in Freiburg, Germany, from his 1977 film Suspiria. At nighttime the shuffling of feet no longer seems quite so innocent and must be coupled to the supernatural and sinister red and green illumination. Why else would the lights blink, flicker, pulse, and send me messages in Morse code? Sitting at the kitchen counter in the morning having an espresso it is exceedingly difficult to believe that the building next door is a zombie hospital, but I fear in the depths of my heart that it is true.

20

Please, come in to this one cubic yard dumpster, as today's runny, drippy garbage is tomorrow's desiccated and priceless archaeological find. From my current perspective in immaculately clean 2-32-10 Takinogawa, Kita-ku, Brooklyn strikes me as a place that is sending out a confused message, although I do admit that I have a love for garbage dumpsters. Actually, I have been inside of a three cubic yard dumpster full of trash and it was much more spacious than I thought it would be. Also, the smell was not nearly as repulsive as I expected and I wasn't even wearing a face mask. Unfortunately, I didn't find what I had accidentally thrown away into the dumpster only hours earlier. This lead me to think that possibly there was a tunnel connecting the dumpster to an alternate world of puppet sanitation workers and puppet archaeologists working side by side to decide what will be considered valuable in the future. What a lovely, precise broadcast that would be.

9

The N99 face mask is finally here, along with the implication that there were 98 variants prior to this moment. Somewhere around the time of the N33 there might have been a shift in mask design from rectangles to hexagons. Somewhere around the time of the N66 it might have moved in the direction of pentagrams. What shape will we have evolved into when we arrive at the time of the N1089?

2

The Narita Airport to Nippori Station Keisei Limited Express Train’s English announcements have changed again. Not only does it sound as if the announcer has a thoroughly stuffed-up nose, but she also has the distinct inflections of someone speaking who just had braces put on their teeth and is still working out how to accommodate the new additions in their mouth. A touch of uncertainty lingers in her voice. I wonder how such a matter could slip past the producers of the announcement. Perhaps it was intentional, a strategy to subconsciously generate endearment. Regardless, I should wear a face mask so as not to catch her cold.